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Adapted by Aaron Sorkin, the revival of the classic musical filled 95% of seats at the venue, grossing $486,692 for four previews. Her recent work includes Netflix’s The Good Nurse, HBO’s “Scenes From A Marriage,” Universal’s The 355, and Roadside Pictures’ The Forgiven. But in this muted revival, adapted by Amy Herzog, the modernization emphasizes the legitimacy of Nora’s life and what she can control. Under Lloyd’s direction, Chastain emphasizes the responsibility and reverence of these identities that Nora firmly grasps, the real grief that swallows her when she fears she has corrupted it all. With an acclaimed actress like Chastain making her grand return to the stage, it's an event not to be missed. Experience Ibsen's timeless feminist tale anew by getting tickets to A Doll’s House on Broadway.
First Performance
Cirque Du Soleil alum Shana Carroll drafted some of the best tumblers and acrobats around to give the show a verisimilitude unmatched on Broadway this season. Puppet designs are simple yet first rate—think Disney’s “The Lion King” on a budget. Just about everyone lives happily ever after in this terrific new musical for the whole family. Director Des McAnuff, who shepherded the Broadway original, returns to Pete Townshend’s seminal rock opera in this splashy high tech production of the Who’s opus. The storytelling is solid, and the cast, led by Ali Louis Bourzgui, performs the hell out of these rock and roll anthems. The notion of “deaf, dumb and blind” has lost some of its appeal in an age more sensitive to diversity, but Tommy still rocks.
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The Hudson Theatre is a dollhouse come spring, when Henrik Ibsen's groundbreaking play A Doll’s House gets its latest Broadway revival starring Academy Award winner Jessica Chastain. Directed by Jamie Lloyd (Cyrano de Bergerac), this revival puts a fresh spin on the century-old tale with a new, adapted script by Pulitzer Prize finalist Amy Herzog. Sarah Paulson stars in this sometimes spooky, often funny coming to terms drama about a southern family dealing with the not so squeaky clean heritage of their revered patriarch. Native playwright Brandon Jacobs-Jenkins—a Pulitzer Prize finalist—is all the rage on the N.Y. Director Jamie Lloyd brings his vision for A Doll’s House to Broadway for the first time.
A Doll’s House review – Jessica Chastain captivates in minimalist revival
Ibsen wrote A Doll's House when Laura Kieler had been committed to the asylum. The fate of this friend of the family shook him deeply, perhaps also because Laura had asked him to intervene at a crucial point in the scandal, which he did not feel able or willing to do. Instead, he turned this life situation into an aesthetically shaped, successful drama. In the play, Nora leaves Torvald with head held high, though facing an uncertain future given the limitations single women faced in the society of the time.
He previously starred in Person to Person as ‘Lester,’ alongside Michael Cera, in Thanks for Sharing alongside Mark Ruffalo and Gwyneth Paltrow, in the short film Prom and as ‘Ben’ in the short film, Anna & The Asteroid. "A director and creative team on fire and a playwright brilliantly coming into his own? It doesn’t get much better than that." In the play’s preamble, Chastain sits stone-faced as she is rotated by the moving set. Akin to a figurine in a music box, Nora lives trapped under the watchful eye of others. But Nora remains at the center and in control, able to carve out agency in a world that relishes in its thievery. With a lobbed compliment to her husband, Nora woos him into giving Kristine (Jesmille Darbouze) a job.
LITTLE SHOP OF HORRORS, A DOLL'S HOUSE, and More Set For Sheffield Theatres 2024-25 Season - BroadwayWorld
LITTLE SHOP OF HORRORS, A DOLL'S HOUSE, and More Set For Sheffield Theatres 2024-25 Season.
Posted: Fri, 08 Mar 2024 08:00:00 GMT [source]
A Doll's House was based on the life of Laura Kieler (maiden name Laura Smith Petersen), a good friend of Ibsen. Much that happened between Nora and Torvald happened to Laura and her husband, Victor. In real life, when Victor discovered Laura's secret loan, he divorced her and had her committed to an asylum. Two years later, she returned to her husband and children at his urging, and she went on to become a well-known Danish author, living to the age of 83.
About A Doll's House on Broadway Starring Jessica Chastain
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Where Did All the Broadway Sets Go?.
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Chastain’s performance is restrained, and yet you can witness each unique moment register on her face (there are a lot of silent tears and, because there are no props, no handkerchiefs to soak them up with!). And Moayed as Torvald is convincing as a man who sounds like a loving, devoted husband but is, underneath, selfish, shallow, ungrateful and narcissistic. But, of course, let’s go back to that actress on the turntable, so placid that audience members hardly notice her when they enter the theater. Thornton and Lawrence, despite brief appearances, are evocative and moving. Thornton embraces a needed curtness and humor as Rand’s life comes to an end, keying into a love for Nora that is part erotic and part protective.
He preserves his peace of mind by thinking of the incident as a mere mistake that she made owing to her foolishness, one of her most endearing feminine traits. A maid enters, delivering a letter from Krogstad to Nora, which Torvald demands to read himself. Torvald then exults that he is saved, as Krogstad has returned the incriminating bond, which Torvald immediately burns along with Krogstad's letters.
And producers, who face a financial high-wire act even in the best of times, have made some not-to-subtle calculations. Among the long-running shows, Chicago, now featuring Jinkx Monsoon as Mama Morton, had its highest grossing non-holiday performance week in the it’s 26-year history. The production grossed $913,161, surpassing the previous record of $912,003 set in 2013. Ragtime (Broadway revival), Candide (NYCO), The Butcher Boy (Irish Rep), The Sound of Music (tour directed by Jack O’Brien), Radio City, and a number of regional credits.
This theme is also reflected in the character of Torvald, Nora's husband, who is more concerned with his social status and reputation than his wife's happiness.Ibsen also uses symbolism throughout the play to convey deeper meanings. The title "A Doll's House" itself is significant, as it represents the idea that women were seen as mere playthings or objects in a patriarchal society. The Christmas tree, a recurring symbol in the play, represents the facade of happy family life that Nora and Torvald try to maintain.
Nicolai toured as Alva Noto and exhibited works through Europe, Asia, South America, and the US. His collaborative score with Ryuichi Sakamoto for Alejandro González Iñárritu’s ‘The Revenant’ was nominated for a Golden Globe, BAFTA, Grammy, and Critics Choice Award. There are no props in director Jamie Lloyd’s version of Henrik Ibsen’s drama “A Doll’s House” — no sets, no costumes (just plain contemporary clothing in dark blue), not even a curtain.
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